A rookie cop is assigned to the 118 Precinct in the same district where he grew up. The Precinct Captain starts receiving letters about two unsolved murders that happened many years ago in the housing projects when the rookie cop was just a kid. These letters bring back bad memories and old secrets that begin to threaten his career and break up his family.

A young woman's diary depicts her layered, poetic, inner efforts to deal with the world and overcome self-doubt.

An elderly artist invites a model around to his house for a sitting. But is painting the only thing on his mind?

Stefan, a young gay East German medical student, arrives in San Francisco for a medical congress and is following the trail of his dead father, a once high ranking AIDS researcher in the East. Stefan is investigating whether the HIV virus was an incremental result of secret human experiments that were conducted in US prisons in the seventies - a thesis of the Berlin professor, Jakob Segal, which was spread by state agents of former East Germany. At the same time, a serial killer is haunting the gay bars of the city and is killing HIV positive long-term survivors.

A gang of ruthless highway killers kidnap a wealthy couple traveling cross country only to shockingly discover that things are not what they seem.

'Ben' and 'Amber' have highly sensitive and very much sought after information in their possession. Information that has had them running for their lives.

Two losers who'll do anything to try and be successful in the Triad world, but all they've accomplished is having a bad luck reputation.

Jean-Yves Machond, a globally unknown and generally unhappy painter, decides one day to change his life. He seeks inspiration in a small Norman town, in order to design a masterpiece that will finally earn him glory and eternal recognition. But his meeting with local artists, from the warm Bagnoule to the skillful Cécile, will somewhat make him deviate from his path, and bring him face to face with his deepest dream: that of simply being a happy man.

This was a reasonable documentary that caught up with '80s pop maverick Morrissey, who now lives in the lap of luxury in America. Still worshipped by legions of fans, lauded by trendy music critics and name-dropped by lots of recent bands, Morrissey remains a controversial and rather strange character. He proved in this documentary that he is still as funny and as acerbic as ever, although the music certainly isn't as fresh, vibrant or interesting as it was in the Smiths. The problem with the documentary, though, is that it demonstrated quite clearly that he still tends to stand against much more than he stands for. His devotion to vegetarianism has remained consistent, but his status as a political artist has no substance. He criticises Tony Blair and the Royals, just as he criticised Mrs Thatcher and the Royals back in his prime, but he offers no constructive, viable political views. He just criticises for the sake of it while living in opulence. He now represents the kind of wealth, luxury and smugness that his fans detested about his '80s pop contemporaries. 　　A funny, entertaining figure? Certainly. But a credible spokesman on the world's problems who should be taken as seriously as he obviously is by many? This documentary did nothing to quell my doubts about that.

This was a reasonable documentary that caught up with '80s pop maverick Morrissey, who now lives in the lap of luxury in America. Still worshipped by legions of fans, lauded by trendy music critics and name-dropped by lots of recent bands, Morrissey remains a controversial and rather strange character. He proved in this documentary that he is still as funny and as acerbic as ever, although the music certainly isn't as fresh, vibrant or interesting as it was in the Smiths. The problem with the documentary, though, is that it demonstrated quite clearly that he still tends to stand against much more than he stands for. His devotion to vegetarianism has remained consistent, but his status as a political artist has no substance. He criticises Tony Blair and the Royals, just as he criticised Mrs Thatcher and the Royals back in his prime, but he offers no constructive, viable political views. He just criticises for the sake of it while living in opulence. He now represents the kind of wealth, luxury and smugness that his fans detested about his '80s pop contemporaries. 　　A funny, entertaining figure? Certainly. But a credible spokesman on the world's problems who should be taken as seriously as he obviously is by many? This documentary did nothing to quell my doubts about that.